Doomgurl

From the Canadian prairies to the sprawling concrete of Tkaronto, Doomgurl has carved out her own language — a fusion of memory, movement and sound. Her path begins in early childhood, learning Salvadoran folkloric dance at age five, and evolves through her teenage years as she enters the worlds of breaking, hip-hop and house: spaces where resistance, rhythm and community intertwine.

As a b-girl, DJ, beatmaker and producer, Doomgurl moves through artistic and cultural scenes with striking fluidity. Her work as a sonic architect for dance films, battles and experimental pieces reveals an artist who understands the body as deeply as she understands the beat. Every set, every loop, every texture becomes a translation — of her Indigenous migrant lineage, her life across Turtle Island, and her presence on the street.

Her musical vision isn’t bound by genre. She reshapes forms, bending boom bap, house, club and ritual energy into new expressions that feel both ancestral and futuristic.

At KUMBIONIK, Doomgurl descends into her ritual underworld:
slowed-down, experimental cumbia — heavy, slow, hypnotic,
a sound that breathes through the bass and turns the dancefloor into living territory.
A journey built for collective trance, heat and memory.